Showing posts with label Katie Fforde. Show all posts
Showing posts with label Katie Fforde. Show all posts

Monday, October 25, 2010

Guildford Book Festival and Cotswold Bookstore


Last week was notable for the mileage my little car got under its bonnet. On Tuesday, my daughter Phillipa (she who has just finished at the Royal Academy of Music. And is "resting") offered to get up at the crack of dawn - or before, actually - and drive me to the Guildford Book Festival, where I was on a panel with Linda Regan, my old Bad Babes buddy, Suzette Hill and chaired by Simon Brett. No photographs, unfortunately, but we had a good time and each received a bottle of wine for our trouble. Lovely to see Simon again, as we rarely cross paths, yet always come up together on Amazon.

Then on Saturday a friend offered to drive me to Moreton-in-Marsh, where the Cotswold Bookstore was hosting a launch/signing for my latest book, Murder Imperfect. Publisher Hazel Cushion, of Accent Press, was providing wine and nibbles. I am sad to say that the RAC route I downloaded before we left was - er - pants. We ended up in Cheltenham. Luckily, my son Miles telephoned to say good luck, and I was able to ask him to look up the book shop's number. They therefore knew we would be late.

When we arrived at this really lovely book shop, one window of which was full of my books surrounding a large version of the map Susan Alison created for them, I was greeted by a cheer and applause. The shop was packed, and I was set to signing straight away. I met so many lovely people (real ones, not authors) who all bought multiple copies of the books. However the treat for me was getting together with so many friends. In the photograph above, left to right, are Susan Alison (map creator, who signed books with me) Gilli Allan, Adrian Magson (crime writer and friend) Katie Fforde, her sister Jane Gordon-Cumming and publisher Hazel Cushion. This was taken by Tony, book shop co-owner, right at the end of the event after the wine had been packed away, and many friends had already left. Also there at some point were Anita Burgh, the writer who most encouraged me well before I became a novelist, Catherine Jones, some other RNA members and Maureen Vincent-Northam, another Accent Press author. I expect I've forgotten people, but it wa a bit of a blur, and Hazel kept me well supplied with red wine. (Surprise surprise.)

I was then presented with a beautiful bouquet and a copy of the new Justin Thyme book, and Hazel took me, my friend who drove, Adrian and his wife and Hazel's two daughters who had been helping with the event, to lunch in a lovely pub. We had a lovely, stress free drive home and I collapsed on the sofa. I felt like a star, and had the best time ever. So thank you to everyone who came, to Hazel for the wine, nibbles and lunch (and for being a fab publisher) and most of all, to the Cotswold Bookstore, Tony, David and Nina, for asking me.

This week, I'm off to The Write Place, Dartford, to do a guest spot. It's all go, you know.

Friday, February 29, 2008

Lunches, departing children, Hamlet and the CWA

A little better - only two weeks since the last entry.

In which time, I have been to the Lady Mayoress of Canterbury's Ladies of the District lunch - invitation only, of course! - where the guest of honour was Lady Mountbatten. Very interesting, good food and service in Abode, the former Chaucer Hotel. The following day, to London with daughter Louise, to lunch with Katie Fforde, who wanted to interview Lou about her job, as she has a character in her next book who does the same. We are going to the next of Lou's public gigs in London together for Katie too see how it all works in practice.

This week, daughter Philly has finally moved out, to go and live in Cambridge with fellow band members, and take up a temporary job with the Faculty of Engineering. Hollow laughter. I feel rudderless. All four have now gone, and although I was on my own for a couple of years before, it never felt permanent. This time it does.

Yesterday went to see Nothern Ballet's production of Hamlet which was superb. Very controversial and explicit, sexual and torture scenes depicted with graphic realism. Made me cry at the end, though. Difficult thing for a ballet to do...

Still battling on with the CWA conference. Nearly there as far as bookings go, but now have the ghastly finicky bits to do, as well as paying for my own place. Can't afford it, either, but there you go. Where's my second-in-command? Not heard of in ages.

Murder by the Sea has taken a new turn and I feel somewhat happier with it. It won't bear much relation to the original idea, but you can't have everything...